ADDRESS
ROOM 1210, FU HANG INDUSTRIAL BUILDING,
1 HOK YUEN ROAD EAST, HUNG HOM,
KOWLOON, HONG KONG
PROGRAMMING & TOURING
[email protected]
MARKETING AND DEVELOPMENT
[email protected]
TRAINING
[email protected]
GENERAL ENQUIRY
[email protected]
SUPPORT US
Know More
Théâtre de la Feuille, based in Hong Kong, China, was founded in 2010 by Ata Wong Chun-tat in Paris. Born out of the merging of Eastern traditions with Western theatre practices, the company is built upon deep engagement within its strong community of vigorous artists. Having undertaken extensive tours in several countries across Europe, America, and Asia, its current emphasis is on expanding its tour repertoire and opportunities for artistic cultural exchange.
With its roots in the Chinese philosophy “天地人”, the company’s ethos is based around a harmonious coexistence between humans, the celestial, and the terrestrial realms; absorbing this philosophy into its work, its process, and its artistic relationships. It aims to investigate the purity of the body, nurture the mind, and enrich the self. Fundamentally, Théâtre de la Feuille’s practice is one of tenacious curiosity, creating work that binds audience to artist; reflecting humanity back onto itself.
Ata Wong Chun-tat is a director, choreographer, and theatre educator from Hong Kong, China. He serves as both director and artistic director of his company Théâtre de la Feuille, founded in 2010, through which he has created over several works to critical acclaim.
A graduate of École Internationale de Théâtre Jacques Lecoq, and accredited teacher of Lecoq’s pedagogy, he is currently a full-time professor in Physical Narrative / Musical Theatre at the HKAPA (School of Drama).
In 2017, Wong was awarded the Hong Kong Arts Development Award for Young Artist in Drama. In 2019, he was awarded the Outstanding Performance in Promoting Arts and Culture award by the Secretary for Home Affairs’ Commendation Scheme.
In 2021, he received the Asian Cultural Council Altius Fellowship for a 6-month solo fellowship and embarked on a journey to Japan to examine both traditional and modern art forms. Fundamental to his work is the exploration of both Eastern and Western artistic masterpieces, integrating traditional and contemporary practices.
In addition to directing over 80 productions, he has collaborated extensively with local, mainland, and several worldwide arts festivals, staging work across Asia, Europe, and America.